
As I mentioned in my last post, I recently started conrtibuting to 
Tiny Mix Tapes, a mutli-faceted music site refreshingly devoid of agenda.  Of course, no working relationship is without its kinks: when 
TMT asked its staff for their 
Top 25 albums of the year, I realized I'd barely 
heard twenty-five albums released in 2005.  After scraping the bottom of my cerebellum to complete 
my list (which admittedly gets rather spotty past #14), my Top 25 were cross-collated with the other TMT contributors to produce the 
Collective List.  A brief comparison between the two lists reveals two rather telling details.
The first is that nearly everything I listed was a new release by an old favourite - the Fall, Oxes, Mu, Lake Trout, Number Girl - without a debut artist in the top 10.  Secondly, there was absolutely 
no crossover between my list and the collective Top 25.  Shit, 
Pitchfork went as far as a 
Top 50 and only held 
two albums in common with me.
It's official: I'm out of the loop.  And though I've 
bitched about this before, seeing the Writing On the Web certifies this fact - and what a relief.  Circumstance has stripped me of my membership to the 
Media-Savy Hipoisie, and I am 
free at last, free at last!
No more scouring file-sharing networks for advance copies of new releases!  No more soul-searching about why 
I hate Animal Collective!  No longer am I troubled by the 
Pop Apologist Pod People!  Who cares if I can't stand 
Crunk?  Does it matter that I still haven't heard that 
Wolf Parade album?  Hell, I haven't even heard 
one single goddamned minute of 
"Trapped In the Closet."And why should I?  I'm a skeptic expat living in 
Japan; there's no reason I should feel a kinship with art students from NYU or McGill.  Not that anyone was twisting my arm, demanding that I jump on board any 
band's wagon, of course, but I still feel divested of a certain responsibility.  Now I'm free to sit in my six-tatami 
spiderhole, surrounded by 
European film scores and 
sloppy J-Rock, unperturbed by the chest-beating of cred hounds across the ocean.
But I digress: here are ten tunes from releases that I loved in 2005.
"Do Do Do Do" by 
Afrirampo(from 
URURSA IN JAPAN)
"Le 65isme" by 
Buck 65(from 
Secret House Against the World)
"April 6" by 
Fantomas(from 
Suspended Animation)
"Ano Musume Ni 1mm Demo Chokkai Ka" by 
Ging Nang Boyz(from 
an album whose title I won't even begin to attempt)
"Oh No" by 
Gogol Bordello(from 
Gypsy Punks: Underdog World Strike)
"Now We Know" by 
Lake Trout(from 
Not Them, You)
"Tigerbastard" by Mu
(from 
Out Of Breach: Manchester's Revenge)
"SoStRx" by 
Need New Body(from 
Where's Black Ben?)
"Bem Querer" by 
Seu Jorge(from 
Cru)
"What About Us" by 
the Fall(originally released on 
Fall Heads Roll; this version is from the 
Peel Sessions box)
"Mur Mur" by 
Toddle(from 
I Dedicate D Chord)