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Anyway, because this was a building of antiquarian peasant construction, the toilets were out and around the side. (Reassuring that Rule No. 1 has always been "don't shit where you eat.") Circling back towards the front entrance, a young couple passed me on their way out and almost gave themselves whiplash doing a double-take. Slowing their walk to a foot-dragging limp, they began whispering with beehive-loud sibilance, all the while staring back at me. I did my best to ignore them, until the man blurted out Tourettishly, "Kreestov Wil-ahm!"
"Excuse me?" I had no idea what had just been shouted at me. Was this some strange Ch'ti invitation to fisticuffs? "Kreestov Wil-ahm?" he repeated, more hesitantly. The women chimed in: "Aren't you Christophe Willem?"
Ah, a name! Mistaken identity. "No, sorry." They looked unnervingly skeptical. "You're really not Christophe Willem? C'mon, we promise we won't make a fuss. You're him, right?"
Dangerous territory: I looked like someone worth making a fuss over. What kind of fuss? Would I suddenly be set upon by the local S.W.A.T. team, like that unpleasant incident in Seattle? Was I about to get paparazzo'd and then accused of using my likeness to curry undeserved favour? Who the fuck do they think I am?
Keep in mind this entire exchange was taking place in French, adding a veneer of semantic surreality. "Look, I'm just come Canadian guy visiting friends. I don't know who you think I am." The couple deflated, apparently convinced by the nasal vowels of my affected Quebecois accent. "Oh... well, he's this French singer - god, you look just like him! You haven't heard his music?" They broke into an awkward disco stomp, as though arrhythmic caucasian hip-swiveling would make everything clear.
C'est comme ça, qu'est-ce que je peux, c'est comme ça...I was unmoved.
Back inside, I was still slightly baffled by what had just happened. Taking my seat across from my friends, I waited for a moment's pause in the conversation to ask them: who is Christophe Willem? Their faces blanked as they flicked through their cranial card catalogue. Suddenly the penny dropped, they gasped and pointed at me like a bodysnatcher gone red-alert.
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But I wanted proof that the resemblance was strong enough to turn heads in a random restaurant parking lot. Back at my friend's apartment, we fired up YouTube and searched for the hit single that had been sung at me (yes, at, not "to") by the dancing duo. Ah, there it was - entitled "Double Je", or "Double I" appropriately enough. Let's have a look...
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But the son-of-a-bitch sings in a stratospheric falsetto that would make the Bee Gees sound like baritones. Atop shit disco! Goddamn, this was even worse than all those times drunk salarymen in Tokyo pubs called me "Harry Potter." Couldn't I get mistaken for someone cool? Please?
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Shortly thereafter, l'affaire Willem inspired one of my better songs of 2008, "Dinner With My Doppleganger". Yes, I realize it's misspelled. Yes, I should proofread my tracklistings before the record goes to press. So be it. Although Willem really only provoked the title; the song itself is more a meditation about my hypothetical "evil twin," whose yin is my yang and whose vice is my virtue, and the disappointment that we'd be more or less indistinguishable from each other. Not that you'd necessarily glean all that from the lyrics. If, however, you can guess the two songs of which this track is a conscious hybrid, congrats, you get a free copy of my latest album. And a cookie.
2 comments:
This is genius. And I hope you listen to more Chrstophe!
And I thank you very much. Though the likelihood of me listening to more of Mssr. Willem is pretty slim. I can only get through about 30 seconds of "Double Je" without needing a fairly abrasive palette cleanser.
I guess it's because I was already old enough to know better once the late-'90s pop golden era exploded. Musical tidiness makes me physically uncomfortable.
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